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"Give me my answer," he says, sternly. It is a very handsome picture, and Geoffrey duly admires it; then it is returned to its place, and Mona, opening the drawer next to it, shows him some exquisite ferns dried and gummed on paper. "He has lost his way. He is tired, and I have asked him to have some breakfast. He is the English gentleman who is living at Coolnagurtheen.".

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"Then don't," says Rodney, furiously, and flinging her hands from him, he turns and strides savagely down the hill, and is lost to sight round the corner. "He was a man who never took off his hat," begins Geoffrey. As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure. "What is amusing you?" asks he, a trifle stiffly.—To give way to recitation, and then find your listener in agonies of suppressed mirth, isn't exactly a situation one would hanker after..